alisa alering

Writer of fantasy and other fictions

On Community & Coming Out of Hibernation

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Reading to my rabid fans at Boxcar Books on April 6, 2014

Reading to my rabid fans at Boxcar Books on April 6, 2014

Writing is a solitary practice. The writer sits (or stands) alone at her desk, with a notebook or keyboard and a cup of stimulant beverage. The writer listens, but only to imaginary people. The writer speaks, but only to herself. Ok, also sometimes to the domestic automatons, e.g.: “&*$! cat! Plonk your furry butt somewhere other than my keyboard!”

Domestic Species  Furry Buttus Obstructivus

Domestic Species Furry Buttus Obstructivus

Earlier this month, I unzipped the cocoon a fraction of a milimmeter and poked forth a tentative feeler. Finding the environment not entirely hostile, I took myself downtown to Boxcar Books to read to the public from my novel-in-progress.

The curious writer ventures forth

The curious writer ventures forth

I shared the marquee with two other local SFF writers, Richard Durisen and Michelle Hartz. I read from an early chapter in which my protagonist interviews for a job at the Paradise Pony Park. It introduces the main character, some of the unique aspects of the plot (viz. haunted ponies), and ends on a “tell me more” note. I had considered reading a different scene from later in the book, mainly because it was a self-contained ghost story with a fair bit of drama. But when I was rehearsing, I realized I would have to voice four different teenage girl characters. That’s a stretch for even an experienced reader, and my acting talents just weren’t up to the job.

A novel takes a long time to write. And even longer to see publication. A public reading is a chance for your manuscript to stroll around town, take the air, and see the sights. If you’re lucky, it begins to make friends. In this case, audience reaction was positive, and afterwards, over instant coffee, mixed nuts, and rice krispie treats, several people asked if the book was finished. Regrettably, I had to tell them about the unexpected delay. Still, it gave me a boost, and I’m excited about revising the book into the best story it can be. If they like it this well now, just imagine how they’re going to feel when it’s complete!

There’s still a long way to go, of course. And no one is going to do those revisions but me. But being connected to a community can make the trials easier to bear. Join me next month for thoughts on using peer accountability to get your writing where you want it to be.

As for this weekend, I’m heading off to Indianapolis for even more community at Mo*Con IX.

P.S. I feel like this post should have footnotes or something with references to pertinent information. I guess it’s just the librarian in me. So here goes:

  1. The three most important things you need to know about reading aloud are: Prepare, Project, and Make Eye Contact! Those three things will improve any reading by about 70%. I’ve attended readings where the author bends over the book and speed-reads through a chapter without once looking up. This is not a good plan.
  2. If you want to work on that other 30%, delve into this helpful series by author, voice talent, and puppeteer, Mary Robinette Kowal. For example, she explains why it would have been a bad idea for me to try to do all of those similar voices.
  3. Public Readings: It could be worse.
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Author: Alisa Alering

I write stories. I read stories.

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