I’m thrilled to announce that my story, “The Wanderer King,” will be published in Clockwork Phoenix IV, edited by Mike Allen and due out from Mythic Delirium Press in June 2013. I loved the original Clockwork Phoenix, and I am in fantastic company in this volume. I can’t wait to get my own copy and read everybody else’s stories. See the full TOC here.
Catherine Krahe lives in Iowa. She plans to save the world by telling stories and planting trees. She went to Clarion West (2011). Her stories have been published in Realms of Fantasy, Nature, and Ideomancer. She works with the Alpha Young Writer’s Workshop and is a first reader for Strange Horizons.
At least, that’s what she says. I say she is my Clarion West classmate, devastating editor & critiquer, maker of deadly Oreo truffles, and possessor of the bionic nun-field.
She stopped by ye olde blogular to answer important questions about where she writes, how she writes, and the chocolate powdered flavoring mix that makes her world go round.
1. Special pen? Lucky socks? Breakfast of champions? Describe your writing process. (Include necessary rituals, superstitions, or talismans.)
My writing process is stalled these days, but my writerbrain is growing back. I grew up constantly thinking about stories–walking to and from school, going to sleep at night, in the bathroom, all the time. I’ve gotten out of that habit, or at least out of the habit of having my own active stories in my head. Still, while I’m driving or while I’m walking from one place to another, there’s something going on. Mostly fanfic-ish things or fanfic-ish things of my own. That’s where “Walking Home” came from: it’s a side bit from the novelworld I had in late high school.
At some point, the story things up, and I do a draft. I don’t have a fixed process at this point, but do whatever the story seems to need. I usually write straight into the computer, but some stories happen on paper first. After that, I edit. That’s the fun part–I like cutting and tightening especially.
Sometimes this happens on a writing date with friends, but not often. I’m more likely to get distracted by socializing than work steadily. I sometimes ping friends to bounce ideas off them or throw a draft at them. I almost always show my roommate Angela, who understands stories from a different direction and has pretty similar taste to mine–she’s wonderful. Of course, this is all subject to change. I haven’t been writing a lot lately, and who knows what my process will be next?
Good tools: I love my CW notebook. I require a good fountain pen with Noodler’s ink. I need my computer, a three-year-old Thinkpad set up so I can use it but no one else can, trackpad turned off, and Dvorak keyboard. I do some tightening on paper, so I like to have a printer. But what I need is discipline.
2. Biggest thing that keeps you from writing when you should be writing?
Oh dear. I haven’t written anything really new in a while. I had the stereotypical post-workshop slump and haven’t unpacked my box of stories and critiques yet. Shameful, I know! I’m not sure exactly what’s holding me back besides anxiety and exhaustion. I don’t run my own stories in my head because it’s so much easier and more satisfying to return to someone else’s, like comfort food. I always have a story going, but I’m not someone who is driven relentlessly to put words on the page.
3. What do you wish you were reading but aren’t? (Because it doesn’t exist.)
I want sisters. More sisters. There are so many brothers in fantasy, especially urban fantasy, and what I want is a relationship like that between brothers but between sisters. The typical brother relationship is two brothers against the world, usually with one of them magical or otherwise vulnerable and the other one a vigilant guard. The typical sister relationship is that two sisters against the world are separated because one of them meets a man and leaves the partnership. I hate that. I want more relationships between women that don’t dissolve as part of the plot. –Why yes, I do adore Kate Elliott, why do you ask?
4. What can’t you live without?
Other than the obvious? Chocolate milk. Those who knew me at Clarion West know that among my first purchases in Seattle were cups and Quik. It’s my breakfast on a normal day, and what I drink before going to bed. I don’t need it on vacations, but it’s one of the things I do to establish ‘normal’.
5. What should a reader do after reading this interview?
Go read some Kate Elliott. Write me a sister story. Knit something.
I love the idea that stories can be found lurking in unexpected places (like they’re just hanging out, nonchalantly whistling to themselves, thinking they’re getting away with it.)
Even more, I love exercises and prompts that trick me into writing. Combine the two with the formula Newspaper + Marker = Poetry and you get a blackout poem.
Poem-hunting (imagine me in a pith helmet, carrying a Sharpie-tipped spear) was supposed to be my reward for writing a first draft of a new story on Friday, but I didn’t get to it until today, sitting at the kitchen counter keeping an eye on a pot of boiling chick peas. There are worse ways to begin a new year than with the excavation of a previously undiscovered poem.
My poem was unearthed from the bottom half of page A18 of The New York Times, Friday, December 28, 2012.
The Lost City
In a city of missed connections, consider the map:
Lines stop and hop hopelessly out of view.
Clocks steal a weekday morning,
then back up the staircase to a different city.
Without music worth following, a language comes
Like two animals slinking up the steps, doubled by the wind.
To uncover your own hidden story you will need:
–1 fat black marker
–1 cup of hot chocolate, coffee, or other warming beverage of your choice