Short post this time, because the dominant monster of this week has been the one inside my maxillary sinuses, gumming up the works with all kinds of intangible crud. I’ve been on a strict regimen of two naps a day, and I rouse for the hour when my desperate fingers scrabble open another blister pack of Tylenol Multi-Symptom Cold & Flu.
For today’s feature, I have two machine monsters.
Unfortunately, I couldn’t find any additional info on this one. It looks like a pretty straightforward commentary on the perceived danger of railroad crossings to the fledgling automobile. In 1910, only 200,000 cars were manufactured in the U.S.* I like how the train, while clearly mechanical, has taken on the characteristics of a snake, with two stabbing fangs and a forked tongue.
Straight out of a steampunk nightmare, this creature is a smoking, clanking ravener of humanity. Its relentless metal wheels roll over the houses and culture of the tiny towns below. Monstrous & mechanical, though it has headlamp ‘eyes,’ it is clearly indifferent to the lives it shovels and crushes. Presumably a metaphor for the First World War, I actually find it really disturbing.
Benda was a Polish-American artist and illustrator. He was proud of his heritage and often drew heroines in Slavic costume. He designed propaganda posters for both Poland and the U.S. during both World Wars. Later in his career, he turned from illustrating to making masks.
That’s all for the day. My snot-filled brain just can’t take any more.
[All images from The Library of Congress, Prints & Photographs]